Letter from the Editor
Dear reader,
When Andy Plattner asked me to join the editorial team of The Headlight Review in the spring of last year, I brought along my history of editing literary magazines in the Midwest. Although I was prepared to find the South different from the Rust Belt, it didn’t occur to me that even the literary magazines here might be just a little bit different.
At least according to its mission statement, THR does not focus on regional literature. And, yet, by virtue of our place, our staff, and our contributors, we find hints of the New South in the pieces of this issue. Without seeking them out, we have stories of racial tension and progress here in the South, poems of southern music, food, and masculinity, and, of course, we have southern ghosts. The pieces of this issue explore our struggles to come of age, to understand ourselves, and to wrest language into authentic service.
The editorial team and I are proud to present this collection of fiction, poetry, and artwork as a testament to the brilliance of our authors and our own efforts to serve authentically in the last six months. In that time, we also awarded the 2023 Grooms Prize, judged by Anna Schachner. Begun to honor Anthony Grooms for his service here at KSU and his contributions to literature, the Grooms Prize awards $250 and a bespoke publication to a piece of quality short fiction. This year’s winner, Anita Lo’s “52 Pick-Up,” reveals a bold new voice confronting the difficulty of family and growing up. It appears in this issue alongside our two other finalists for the prize.
We have restructured the journal’s masthead for this issue, and I want to thank our guest editors, Gregory Emilio and Melanie Sumner, who edited our poetry and fiction sections respectively. Their hard work and insight have shaped those sections, and we’re immensely fortunate to have the benefit of their contributions.
Brittany Files, our Managing Editor, has been essential to sustaining THR as I came into this role. Brittany designs and publishes the website, works with our authors, and, in short, makes this publication possible, and I thank her for her service.
We also benefited this year from the hard work of Antwan Bowen, who serves as THR’s Social Media Manager, and I thank him, too, for his dedication to learning the ins and outs of publishing and for advocating on behalf of the magazine and our activities.
Finally, I want to thank Andy Plattner for offering me the opportunity to join this team. Though he will deny it, his dedication to THR has driven the journal from its inception. I’m happy to report that Andy and I have undertaken many exciting initiatives to carry his vision into the future. We’ve begun producing interviews with authors, planning a series of critical writings, undertaking some community service activities, and even designing a print edition of the magazine. About all of which, more in the next issue.
With this issue, we recommit ourselves to our mission to promote new creative writing that demonstrates the persistent value of imaginative literature. I’m especially excited to emphasize the diverse perspectives of this issue and to encourage many more new and emerging writers to join us in exploring what it means to find ourselves in a new place and a new time still haunted by the legacies of our past.