Birth of the Blues
Was it Miles Davis’s “Kinda Blue” bringing me home to you?
Or the musical memories of our mutual histories?
Scott Joplin and Jelly Roll laid back fingering those keys,
on an instrument played by Langston Hughes, Bontemps, Zora Neale, and Countee Cullen
while Black women danced a close sweating two-step
with their men in Harlem jook joints?
Were the blues born on sultry evenings under canopies of stars?
Come into this world between dark southern thighs
while our enslaved ancestors dance to strumming banjos, wailing mouth harps,
and ancient rhythms of violins, tambourines, and drums?
Men and women dancing to words become songs:
work songs
praise songs
kin songs to the blues?
Were the blues born with the birth of “The New Negro?”
or “the flowering of Negro literature?” Or were the blues
more hidden, ever more subtle in the eyes and on the tongues of Harlem?
In Billie Holiday crooning “Strange Fruit” at Cafe Society?
Or the crackle of Louis Armstrong’s voice?
Or the clarion call of his trumpet?
Was it in the unstoppable Trane, a love supreme flowing from his horn?
Or in a Black child’s first giant step?
Black man, my lover, I held your newborn in my arms
wondering just what he would make of this world,
a world he gazed on with sad, irreverent yet innocent brown eyes.
Black man, my lover, do not ask me
how you will survive without the blues.
This poem was featured in Volume 2, Issue 2. Click here to explore other pieces from this issue.