A Green Year

This story was a finalist in the 2024 Anthony Grooms Short Fiction Prize.

Because Vivian almost never leaves her apartment, her niece Marie arrives there promptly at 8:00 a.m. A normal hour for Claire, the functional sister, to drop off her problem child. Maybe a little early for little Marie, who has already donned her ice skates and wobbled to the front door, one slender finger in her mouth, plucking a tooth.

Vivian has bought a sketch book for Marie, hoping that this, finally, would be the day she and her art-loving niece might connect. Hoping that this “year off” Vivian’s living might crack open and let her out. (Who’s holding you in? You know—you!) Hoping that she can help in some way with this troubled child who Normal Claire cannot fathom, Vivian has promised to actually take the girl out this time. Better for both of them, Claire insisted. Normal people can’t sustain themselves on endless streams of content and neurotic fixations on insects and the like. (Do you want her to turn out like you?!?)                

“My toof’s looth,” Marie says and then takes her finger from her mouth, spit-blood cocktail dribbling. Anything but teeth! Vivian thinks and then thinks against herself, that frantic, cruel voice of inner subversion: (Have you brushed? [how many times??] Has she? Do you have enough paste?!?)

Vivian’s mind snares such ideas like a bear trap, and they scream to her.

(Look, these teeth of yours; you’re not going to have them that long. The warranty expired, there’s no exchange policy. You’re not built to live to retirement! It’s your own damn fault if you go extending that life expectancy beyond the reproductive cycle. Wax wings, hot sun—you get the picture, sister. And it’s in those teeth.) says the script in Vivian’s head each morning as she flosses. The message and the messenger itself both obnoxious reminders of the daily bodily terror of being human: (A tragically self-aware ape), insists the postscript response, once Vivian’s resistance against the intruding thoughts but now just another line of program in her mind (soggy wiring). Like how from age ten to seventeen, everything had to be in even numbers: bites of food from a plate, syllables in a sentence, steps from point A to B. If not, cognitive dissonance, feet tripping feet, teeth grinding teeth.

For a moment, watching Marie fiddle again with the “looth toof,” Vivian almost reverts, tongue starting to count her own teeth just to be sure.

Vivian slaps her cheeks, shakes her head back and forth, and faces Marie.

“Have you brushed recently? I think I’ve got a toothbrush your size.”

The girl stares. Drool of incomprehension. They head to the bathroom for deep scrubbing.

But, during this, Vivian’s fourth brush of the morning, what bothers her is not the ever so slight—yet undeniable!—tea stains conquering territory on her lower front teeth. Nor does she sweat any more than usual about having to leave the apartment (sooner by the brush stroke, thank you Marie). What she sees are the dark, sad, puffy lower eyelids she’s had since childhood (Brother Thomas, too—genetics, ge-ne-tics). Like an age meter, they’ve gotten slightly darker by the year, and they remind her she’s a product of DNA that only needs her to breed—and then die, for all it cares. Sometimes she fantasizes about moving into an artificial body to escape death, taking her wet robot brain with her like one moves apartments. Why not, if her mind is just chemical and electrical signals?

Vivian has just gotten a hold on this thought-stream when in reflection she spots the second set of puffy eyelids in the room. (Second? Count, dear. Reflection: yours, yours again, hers, and her other one, too. Two pairs of puffy, sad eyes.)

“Ughh,” Vivian moans (counting: one, two, three . . .  four seconds), chin dripping minty. The two girls spit in unison. Foamy tadpoles slide down the drain.

~

Marie’s mother (big sister Claire, renowned neuroscientist) does not know why her daughter is unhappy, and because Marie’s ever-grinning brother Joey embodies such a perfect counterpoint to Marie’s disposition simply by existing, her frustration sometimes smacks of blame toward Marie. Joey, hotdog in mouth and the sting of a day’s game of catch in his palms, oozes sunshine. So why does Marie slide down the fire pole over and over for an hour straight instead of playing with other kids? And what makes her ask Mommy why some things taste good and others taste bad? And on learning of taste buds and neural receptors and the gustatory cortex, why, Oh God, must she lean against the fence and sob?

This, Claire had asked at lunch in Vivian’s apartment, mindlessly swallowing sticky piles of mandarin marshmallow fluff salad, which, Vivian thought, tastes good primarily on account of sugar and acid dancing in unison. Given Vivian’s preference (read: uncontrollable compulsion) to stay at home, they’d brought the barbecue to her.

“Oh, I’ve read all the books, asked my colleagues, and there are just no real answers. Get them to bed on time, give them healthy food, make sure they feel connected to others. Should I give her an iPhone? She’s eight years old!”

Vivian, having eaten some stringy barbeque chicken (sticky dead flesh waiting to rot just like teeth), pulled a folding travel toothbrush from her pocket. She jammed the dry bristles back to her right molars.

“Dash sure-tainly trouble-shum.” (Brush brush)

“You should have seen her drawings. Where could she have gotten the inspiration, dear?” Claire said to her husband, David, a big, gentle therapist several days overdue for a shave.

“I’m still paying for this, am I?” he said, rubbing Claire’s shoulders.

“Marie asked him,” Claire said, dropping to whisper, “where we go when we die. And he said—Viv, enough with the brushing, Christ almighty. David, can you analyze this girl?”

“Conflict of interest, my love. You know as well as I.”

“He’s not my dentisht,” said Vivian. She takes the brush out of her mouth and adds, “I’m not even using paste anymore. Not more than four times a day.”

“Just give it a rest. Now listen. He said, and I quote: ‘Well, Marie, daughter of mine, whom I protect and guide through this life and to whom I would never say anything twisted or disturbing, when we die, we simply go back to where we were for billions of years before we were born.’ Honestly, David, are you insane? Tell him he’s insane, Viv.”

“Confick of intresh, my shishtar. You know ush well ush I.”

“I thought it was an honest, comforting answer,” said David.

Vivian spat. “What’s comforting about billions?!”

“We couldn’t leave those drawings at school. That teacher of hers had them on display. Painting after painting of a screaming little girl in a black void of death!” Claire said, chomping more marshmallow salad, junk she’d normally avoid, which is how Vivian knew she was truly upset over this. Nobody in the family really talked about it, but there had been a growing sense of worry about their familial emotional balance since the eldest brother Thomas had lost his professorship. (During a heated conference panel regarding the orangutan in “The Murders in the Rue Morgue,” he’d cracked the skull of a Poe scholar with a classroom projector.) And Vivian had her own, less infamous troubles. As the next generation of their family emerged and grew, each of them worried about inheritance. “And then when we had to explain to her why her art was taken down, it was like she was in her own world and couldn’t hear anyone else.”

“Vivian, we were talking,” David said. “And while even thinking about this is a conflict of interest, I feel Marie might benefit from another social outlet.”

“A friend.” (Claireified.) “Something like a sister. A big sister.”

“Izat sho?” (No coincidences. All part of the program.)

~

Vivian has come to suspect that all is program. Not only her body, an expression of DNA, and her mind, always flickering before her captive eyes like a Clockwork Orange screening, but the whole world—the universe! Whether someone else’s simulation that she’s just living or simply a purely mechanistic roller coaster she’s strapped into, she can’t say.

The notion sprouted around the same time her body (according to schedule) started manufacturing (automation) the chemicals that would make her skin bubble and her menstruation start. The voice that was and wasn’t hers elbowed into her thoughts, and she’d sit silently in classes thinking about that phrase “train of thought,” picturing the tracks (predetermination, control, clockwork timetables, please watch your hands; the doors are now closing!) extending out before her. One thought moved to the next—or were they linked like one train car to another?—drifting away from the station. Vivian struggled to focus on the buildings and trees flitting past, smearing with speed into an untouchable world. It was lonely.

Inwardly, Vivian’s selfhood had twisted into a self-devouring solipsism, but to her family, Vivian was just quietly waiting to emerge from her shell. That’s puberty! Given the extraordinary talents (hereditary, just look at your philosophy professor daddy and poet mommy) of her older brother Thomas and sister Claire, there was cover for her turn inward. Between events like Thomas’s publication of a book of literary scholarship during his last semester of undergrad to Claire’s landing first cello in the state orchestra in every year of high school, there was no light to shine on Vivian’s complications. The problem became tangible only at the holidays and at her Birthday when, oh crap, everyone had to buy her gifts to demonstrate their admittedly truly-felt (biologically-rooted) affection. But what did this girl want? What did she think?

For her twelfth Birthday, a chunk of identity inexplicably landed in the family’s lap: Vivian loved the color green! For years, the problem was solved: give her green clothes, green sheets, green curtains and trash cans and desk chairs. Paper her walls in leafy reams and roll out the grassy carpets. Soon her room looked like the Rainforest Cafe, complete with tree frogs dangling in every corner from shamrock patterned shoestring vines. Vivian was green, green was Vivian.

Her brother, Thomas, perhaps intuiting something wrong with year after year of green gifts, broke the pattern one Christmas and gave her, in green holly paper, a Franz Kafka collection featuring The Metamorphosis. Vivian stared at the bug on the cover. She had always thought that Thomas was actively ignoring her, but she felt something else then. Had he noticed her collecting beetles in the back yard?

“This one’s pretty weird,” Thomas said. “I don’t know. I thought you might like it. Something for study hall. Or bedtime. Hahaha!”

“Kafka? What are you trying to do?” their dad asked. “Turn her into Margot Tenenbaum?”

Vivian read it cover to cover, and Thomas kept giving her books. She was thus marked another reader in the family, making holidays all the easier, but soon everyone learned she was also fascinated with insects, and she started to speak her mind—the parts of it she (at least felt like she had) selected.

~

Vivian and Marie slowly waddle out onto the frozen pond in Glass Park. (Don’t yawn, you wanted it early to avoid people!) Relieved that, as planned, nobody else is out this early, Vivian holds Marie’s hand, small and soft in its tiny mitten. An embarrassing internal giggle tickles her, but Damn you mommy program, I have no intention of squeezing any little ones out of me. Still, the air is cool, and Marie is focused on maintaining her balance and so squeezes gently as they take the curved end of the pond. Vivian stops thinking then, and there is just sound: blades over ice, Marie sniffling. 

Until GACHUNK GACHUNK!

Skates slice through crunchy bumps in the ice, and the surprise sends the two down to the slick cold, Marie tumbling into Vivian’s arms, which cradle the girl’s head in the fall. Synchronized in motion as if their minds run on the same tracks, the two flop over and observe, down in the ice, frogs frozen just at the surface, some of their heads sticking just up above the floor line. Several heads are split in two where the blades have just slid. Frog brain shaved ice.

“We broke their souls,” Marie says.

“Broke their souls,” Vivian repeats, staring into the cold amphibian eyes. “Croak.”(Ribbit.)

“Mom says the soul’s in the brain.”

“Soul’s in the brain.” Vivian reaches out to run a finger over the credit card slot she’s just cleaved into this frog’s skull but stops. “Marie, who says frogs have souls?”

(Blink blink)

“Amphibian metaphysics are none of your business, young lady.”

Marie’s hand escapes its glove and wiggles her loose tooth. She is unconvinced. (Oh no, you’ve broken her soul!)

“Look, your mom, she maybe spends a little too much time in that lab of hers. It’s like a family bad habit,” Vivian says even as she starts to sweat under her coat, noticing families starting to arrive, skates in tow.  “Hey, Marie, have I ever shown you my bugs?”

~

Marie requests “Popeye” for lunch, so Vivian whips up pepperoncini pasta with sautéed spinach (Popeye) and pan-seared chicken. A recipe inherited from her brother during her “year off” of school. While Vivian cooks, Marie stares into her tank where Gregor the Eastern Hercules beetle dwells. Marie’s mouth hangs open in wonder, one finger in for tooth-wiggling. From where Vivian stands, it looks in reflection like Gregor has just stepped out of the girl’s mouth.

“Vivian’s year off” was a euphemism in the family for a year (and running) during which she locked herself away in her apartment, leaving only briefly—at night, baseball cap pulled down over brow—to get necessities. (They can’t see you, but I do.) The family didn’t know the details. (Sure, Viv, I’m sure they can’t guess.) Only that she stopped coming to see them.

When she was a high schooler, she’d begun to blabber incessantly to drown the inner voice. But in college, she spent more and more time alone in a lab surrounded only by insect tanks. Soon that old train of thought cried out within the vibrations of the cicadas and the multi-instrumental improvisations of the Bess beetles. (Sky to birds, water to fish, Vivian to Vivian)

In the lab they’d bred flies: generation after generation, heritable traits cresting and crashing into piles of crispy, indistinguishable winged bodies. At some point, Vivian stopped doing her work and just stared through a microscope at the compound eyes, imagining a strange mosaic of seemingly infinite shards of image. How could all these angles coalesce into one reality?

She went home and locked the door to be alone. Alone with herself, her other voice. 

 ~

Vivian sets two plates of pasta down, whistling “Popeye the Sailor Man.” They eat in silence, except for Vivian mumbling some Popeye lyrics between bites. When she clears their plates, Marie looks up and asks what will happen to the other frogs—the ones frozen deep in the ice.

Vivian boots up her laptop, pops her toothbrush in for idle cleaning, and the two squeeze into the squishy desk chair, Marie climbing uncomfortably aboard Vivian’s lap for a clear view of the screen.

“Shee here,” Vivian says mid-brush after a quick search. “Shum frogsh are made to freej.”

“Aren’t they cold?”

“Nod ad oll!” she says and gives up the brushing. “They aren’t going to die, either. Provided they keep their heads down to avoid ladies like us on skates. When a cold time is coming, they just have to get down deep enough and let it happen. According to this, their hearts beat only once or twice a day during this time. But they must believe it will be warm again one day.”

Marie pushes on her own chest, checking if her heart is still ticking up to speed.

“And in the spring, they’ll thaw out again . . . and nab some flies with their tongues! Yum!” Vivian licks Marie’s cheek, Marie squeals, and they take off on a chase-me game. Marie, captured and tickle-tortured, asks if they can go see the frogs again.

“Maybe another time,” Vivian says, already dreading how Claire will react to her daughter’s gruesome introduction to amphibian roadkill.

Later Marie complains about her tooth, so Vivian helps her loop some floss around it (she has reams and reams of the stuff stashed away), and they do the old doorknob trick.

“Ready?” Vivian says.

Marie nods.

SLAM. POP. And the tooth is out, dragged along the floor like a fish on a hook. Marie collects it and stares.

“You know what happens, right? A new one will come in soon.”

Marie dashes to the bathroom and locks herself in. She’s in there more than an hour before Vivian finally knocks. Marie, what’s up? Are you ok?

“Jusht looking,” she says, and Vivian can picture her seat up on the sink, staring into the bloody gap.

~

Vivian wakes from dreams of fleeing a giant frog’s tongue, lashing out to close her inside its jaws forever. The early morning sun casts a familiar pattern on familiar bedroom walls. (Always the same walls.) She feels the fabric of her pajamas, often what she wears all day (Who’s gonna see you anyway?) and begins to dread. Her mind takes off: Brushing. Puffy eyes. Green goo. Sketch book. A screaming little girl in the black mouth of death. The black mouth of frog. The credit card slot of frog. Big brother splashed with the blood of the academy. Vivian splashed with the blood of brains of frog. Mountains of dead flies. The inevitable voice of DNA. Sketch book.

Crayons! Marie is going to need crayons.

Vivian dons her baseball cap, wads cash into her pajama top’s breast pocket, and, in a motion and a half, whips on her coat and a pair of sandals. Three steps out the door, she does not pause but internally (Hey, what’re you doing out here?), and by the time she is back with the crayons—the big set with every shade light and dark plus built-in sharpener—her toes have gone numb.

Before going back to sleep, she creeps into her guest room and retrieves the tooth from under Marie’s pillow. On the night stand she leaves the Crayolas, the sketch book, and in green crayon on the opened page: Up for ice skating?

~

Marie squats in the center of the pond next to the frog bumps and unzips her little backpack. She takes out the sketch pad and crayons to sketch the frogs in the ice. There are bubbles and leaves and sticks. Some of the frogs’ heads are just below the ice, and some are above, cleaved in two and topped with yesterday’s frog brain debris. Vivian wonders if she was entranced by gruesome things at Marie’s age. She probably was.

She leaves Marie to study the slain frogs to her heart’s content, skating leisurely around the pond.

If her mind is a program, Vivian thinks, she could be copied and continue this passive existence forever. But she’s not sure. She’s starting to think that there is indeed a program, but the Vivian living it is a product of motion—more like an amateur figure skater on a crowded pond than a train on tracks. Here comes a crazy big brother skating in the opposite direction to hit her with a snowball, and she takes off after him, everything shifting around her darting moves. There goes a sister, a niece, a trail of strangers and frogs in the ice that change her path. She might even trip into a pirouette.

Marie holds up her sketch as Vivian glides by: green frogs, frozen in the blue, holding acrobatic poses. Some dead, some alive. Hearts beating once a day, waiting for the thaw. Marie smiles and sticks her tongue at Vivian through the gap of her lost tooth.

This piece was featured in Volume 3, Issue 1. Click here to explore other pieces from this issue.