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Poetry, Vol. 1 No. 1 Nicholas Barnes Poetry, Vol. 1 No. 1 Nicholas Barnes

shyness can stop you

this little silver instamatic camera shoots panoramas. / fits in your pocket, if there's no chewing gum or keys in there. it’s no / picturesque paul simon kodachrome.

this little silver instamatic camera shoots panoramas.
fits in your pocket, if there's no chewing gum or keys in there. it’s no
picturesque paul simon kodachrome.
more like a drugstore analog fix, but in-disposable.
she's reliable—she's well-traveled—she's seen the empire state, all
over the east coast.
she's had redondo to san pedro in her sights, too.
no, she's not fancy, she doesn't have flash, yet she lets me see the
world through 5 x 6 matte, avec sloppy borders.
she's visited thousands of unique daffodil faces.
some in-focus, others blurry, caught in a distorted blizzard dream.

one face i wish she got a better look at:
a nameless piano player near the sunnyside playground. he was
magnificent: his own skyscraper, his own ocean: an eighth wonder.
no frills, no tourist traps, pure & free.
a spotlight shone on him and him only, casting every pair of
untrained eyes and ears into blackness.
i hoped for some discreet profile of his sweaty, barechested,
maestro frame, jerry lee lewis-ing, leon russell-ing his way into my
celluloid memories.
so humble yet so good—fingers and sensibility unencumbered. i wanted to
go up and ask him if he could be my sierra nevada, if he could be my
superstar.
instead, i took a hazy, distant snapclick from the steadfast
streetcorner.

shy, introverted, bashful cole just didn't have it in him.
though, i know she did.
there was a sentry blocking those palace gates.
a detached receiver in that telephone booth.
then: the most intimate question.
now: my devastation, my missed shot.
he might’ve even been flattered, chuffed, pleased at the proposition.
instant regret filled my fluttering, i didn’t catch the 10:05 bus,
conflicted, crushed, anxious thundercloud torso, now squeezed tight in the
station between my toes and my socks.
a falling, stillborn feeling.
a stomach dropping out of its highwire act.
above all, the real misfortune was felt by my pintsized photographe. her blank,
idle 35mm film only gets old, languishes, and expires.

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Poetry, Vol. 1 No. 1 Allen Herndon Poetry, Vol. 1 No. 1 Allen Herndon

Unarbitrary Definition for The New Concise Modern Dictionary of Synchromysticism

because · /bɪˈkɒz/ · conjunction. 1. Because the limited, dual nature of the human mind necessitates the illusion of cause and effect.

because · /bɪˈkɒz/ · conjunction. 1. Because the limited, dual nature of the human mind necessitates the illusion of cause and effect. 2. Because all things connected must be understood conjoined, conjoined and ever changing. 3. Because the wings of butterflies cause hurricanes. 4. Because A must equal B, & B must equal C; A must also equal C; so you were wrong, Siddhartha: to eliminate desire is to eliminate all life. 5. Because I need you like the island needs the ocean, deluded in the isolated joys of boundary. 6. Because Time is Space & Space is Time, and both constructions of the bodies (see also: celestial, solar, heavenly, physical, and divine). 7. Because we conceive of Incarnations, conceived in concepts from the moment of conception. 8. Because we ask the question, “Why?” 9. Because the Postmodern has fallen upon us; and the Continental Philosophers all were French; and the French have always had it written in their language: the answer to pourquoi? is just pourquoi. 10. Because we always need a reason. 11. Because explanations make us feel profound. 12. Because I held you, I will someday lose you. 13. Because we love, we all will suffer. 14. Because we all do suffer, we must love.

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